The Mirror of Time and Memory. :: Essays Papers

The Mirror of Time and Memory.Live in the house-and the house will stand.I will call up every century, Go into it and build myself a houseWith shoulder blades like smell propsI help up every day that make the past,With a surveyors chain I measure timeAnd traveled through as if across the Urals.I only need my immortalityFor my p atomic number 18ntage to go on flowing from age to age.I would readily earnings with my lifeFor a safe place with constant warmthWere it not that lifes flying needle leads me on Through the human like a thread.Arseniy TarkovskyThe films of Andrey Arsenevitch Tarkovsky fall into the separate genre of cinematic creations they are more than drama or psychological thriller, more than philosophical cinema. Although Tarkovskys work has been deeply influenced with such prominent film directors as Kurosawa, Bunuel or Antonioni, the poetry of his father, Arseniy Tarkovsky, Boris Pasternak and many other Russian poets and writers, his films manage to form somethin g wholly unique to the mind of their director, convey a diaphanous psychological message. His cinematography is a celebration, a theatre of imprinted time, trapped with the skillful techniques of the plot-creating and camera custom of the director. As if in the Zone of his Staler the art of Andrey Tarkovsky freezes the moment, the gasp of time, enclosed into nearly sculpture-like solid creation that opens up to the viewer its nostalgic breeze. The time exists, it crystallizes in form of faerie, elfish arabesque figures and characters and yet it evaporates filling the space with a backbone of solitude and sorrow for the past.Tarkovskys film Zerkalo or otherwise cognise as Mirror is a story of the human life it is not quite a celebration of it but rather a moving-picture show of the web of the human senses. It is an autobiographic tribute to his abandoned by her preserve during the war years mother, filled with the feelings of grief and amusement with her zealous self-deni al for the sake of her children. The narrator, or perhaps Tarkovsky himself, is trying to appease his guilty with unconcern and scorn conscience with the memories of his childhood and attempts to relive or even sustain the experiences of his past. The problems of the past are reflected and repeated in the present. Remembering Proust, Tarkovsky describes the effect of covering Mirror Childhood memories which for years had given me no peace shortly vanished, as if they had melted away, and at last I stopped imagine about the house where I had lived so many years in the lead .