www.the-criterion.com Vol.III Issue III The Criterion: An International daybook in English ISSN 0976-8165 1 family line 2012 www.the-criterion.com The Criterion: An International Journal in English ISSN 0976-8165 Depiction of Parsi orbit View in Select Short Stories of Rohinton Mistrys Tales from Firozsha Baag B. Tamilselvi Assistant professor of English, SFR College for Women, Sivakasi 626123. Virudhunagar District. Tamilnadu. India. Th e C rit er io n Rohinton Mistry is an interesting human face of a writer who, as a Parsi in India and as an Indian in Canada, is part of nonage or pagan culture in both the countries. For him therefore, the minority status is a felt and fated experience in both the worlds. It is non surprising therefore that he does not strive to taper or problematize questions of marginality in his writings. Mistry writes about the world he knows most intimately: the world of the Parsis of Bom bay within which he grew up. in that military position are so many Indian English Parsi writers par wholeel Saros Dara Cowasjee, Boman Desai, Firdaus Kanga, Farrukh Dhondy, Dina Metha, Gieve Patel, Keki Nusserwanjee Daruwalla, Rohinton Mistry and differents.
Their works exhibit consciousness of their companionship in a way that the community of interests emerges as protagonists to the background. Among the leading Parsi writers, Rohinton Mistry pays more attention to the depiction of his community and his fictional works are fill with numerous details of Parsi life culture and religion. Like all other Parsi writers, Mistry is concerned with th! e preservation of the ethnic identity of his community. He presents his community through the different narratives of his characters who invariably express their concerns for the community and the changes that act it. By focusing on their community in their narratives, they preserve and nurture themselves and thus throw light on the existing reality. office independence Parsi writing...If you want to get a full essay, night club it on our website: OrderCustomPaper.com
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