2001 Space Odyssey The film segment chosen was the final conniption from Stanley Kubrik^s 2001 A Space Odyssey make in 1968. As the name would suggest, the film is cross off almost on the whole in the future. Already having projected itself over 30 days into the future, it would be safe to assume that this motion picture offers a wealth of imagery and futuristic visual sensation. It does. It is towards the end of the film, however, that Kubrik offers this to us on a much greater scale. In these hardly a(prenominal) minutes, we are presented with the sunup of a new era: a near cabalistic evolution of hu spellity. Through more multiform design devices, the set design successfully achieves a plenty for the future that is neither dystopian, nor entirely utopian, yet extraordinarily corroborative on a revolutionary scale. Kubrik himself has never publicly discussed the ending to 2001 and admits that this was a very subjective film, while human beingy race claim not to have understood it at each(prenominal). some interpretations have been made as to the real meaning of this nip, many incredibly antithetical and most equally plausible. Despite their differences, however, all have virtuoso thing in common: an overpoweringly optimistic vision for the future.
A few example interpretations embroil alien incumbrance: an idea that alien technology has helped man progress to the ^ adjoining level^ of consciousness; to an understanding beyond the physical realm. Others keep abreast the idea of the emergence of man as pure ruling completely of his own accord. It is for this priming tha t the futuristic vision convey in this scen! e cannot be labeled simply utopian. What viewers are offered during this scene spans far beyond an idealistic interpretation of the world we live in today: various connotations lay down in the scene stretch the bounds and horizons of humanity itself. The... If you indispensability to get a full essay, order it on our website: OrderCustomPaper.com
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